“Address Noir” is a captivating full orchestra composition that pays homage to the early black-and-white cinematic traditions that were deeply influenced by musical greats such as Miles Davis and Duke Ellington. This heavily stylized work is a nod to the darker police and crime dramas of the '40s and '50s, offering a nostalgic trip down memory lane. The music is intricately crafted, incorporating jazzy lines and clustering clashes that lend a sophisticated touch to the composition. It blends old-school traditions with contemporary sounds, creating a unique foot-tapping and swinging score that is both evocative and captivating. The score's brooding, ticking quality adds a sense of tension to the piece, making it a thrilling and engaging listen for audiences of all ages.

“Adagio Ultima” is a deeply introspective composition in 6/8 time, featuring a cinematic flair for soaring melodic lines against a backdrop of rhythmic energy. The expressive and lyrical score weaves a broad and expansive tapestry of motifs, gradually unfolding into a powerful emotional journey. The music is both memorable and contemplative, inviting listeners to explore fresh textures of quiet repose within the context of intimate and private experiences. The piece showcases the orchestra's capabilities while seamlessly integrating diverse musical influences to create a distinctive and memorable work that demonstrates the transformative power of orchestral music.

Drawing inspiration from the timeless fables of the ancient Greek storyteller Aesop (620-564 BC), this musical composition aims to evoke a tapestry of contrasting and episodic narratives through harmonies and intricate dialogues between solo instruments. "Aesop Fantasies & Flourishes" weaves a continuation of various visual landscapes, both familiar and fantastical, captivating audiences of all backgrounds and cultures. This composition represents a fusion of ancient and modern elements, blending musical textures and virtuosic playing to bridge the gap between the past and present. The result is an immersive musical journey that transports listeners on a voyage of discovery through the wonders and mysteries of ancient mythology.

“American Visions” is a triumphantly sweeping score in mixed meter that features chordal harmonies evocative of the distinct style that characterizes American music. The composer’s primary objective in creating this work was to showcase and distinguish the piece as uniquely American. Through its reflective and melodious character, the composition highlights several key elements that are unmistakably American in their orchestration, harmonic structure, and overall mood. The original and memorable melodies of American Visions are sure to leave a lasting impression on any listener, offering a captivating celebration of the enduring legacy of American music.

“And War Broke Out in Heaven” is a remarkable piece of contemporary orchestral music that draws inspiration from the avant-garde composer Lachenmann. The work employs a range of innovative techniques and scoring to create a vivid soundscape that evokes the Biblical narration of Revelation 12:7. The score blends moments of quiet stillness and sudden bursts of sound to guide the listener through a series of unexpected twists and turns, marked by abrupt key changes, daring spatial experimentation, and intricate hocketing of melodic fragments between different orchestral sections. The music is pervaded by an eerie, otherworldly atmosphere, characterized by a palpable sense of tension and energy that propels the listener forward through the piece.

“Anthem for Peace” is an early work of considerable achievement in terms of its orchestration and thematic development, featuring a colorful array of sonic textures and melodic motifs. The piece opens with a hushed entrance from the woodwinds, creating an intimate and introspective atmosphere that gradually builds in intensity and grandeur through the use of thematic variations and interstitial passages. The music achieves a stirring and emotional climax through a skillful blend of key changes, harmonies, and orchestral colors, culminating in a powerful and unforgettable coda that celebrates the theme of unity. The soaring melodies and harmonies evoke a sense of transcendence beyond the particular moment or setting, leaving an indelible emotional impression that transcends language and culture. Additionally, the use of instrumentation and dynamics creates a sense of tension and release that is both cathartic and cinematic, further enhancing the piece's impact and memorability.

“The Architecture of Trees” is an orchestral composition that blends imagery with sophisticated techniques. Its title serves as a guiding light, imbuing the music with organic growth, interconnectedness, and towering majesty. The branches of melodic fragments intertwine and evolve, creating a tapestry of shifting harmonies and textures. Drawing on Schönberg's Klangfarbenmelodie, the orchestration highlights the unique colors and textures of each instrument, creating a richly detailed soundscape. The music unfolds with nuance and depth, alternating between subdued introspection and soaring drama. Central to its success is the composer's skillful use of melodic contour and intervallic leaps, creating a unifying force that connects the score's disparate elements. Despite its complexity, the melody remains the focal point, shining through with clarity and power. This composition is a testament to the enduring beauty and majesty of nature, inspiring awe and wonder.

“Ashes & Entrances” is a haunting and introspective work for full orchestra that explores the fleeting nature of human existence and our place in the vast, silent universe. The work is richly layered, with motivic material that repeats and interweaves in various retrogrades and acrostic-like patterns, creating a sense of timeless complexity that echoes the enduring mysteries of the universe. At times ghostly and intimate, at others expansive and evocative, the music invites the listener to contemplate the transience of existence and the enduring power of the human spirit. Through delicate textures and recurring motifs, the score weaves a ghostly and intimate atmosphere that invites the listener to contemplate the deeper questions of life and meaning.

“Badlands” is an epic orchestral work that captures the rugged beauty and stark contrasts of the South Dakota wilderness. The music begins with a lush and captivating melody that quickly gives way to a brooding and intense energy, marked by edgy clusters of strident chords and jagged rhythms. Through the skillful use of orchestration, the composer weaves a tapestry of sound that mirrors the vast and diverse geological formations of this dramatic landscape. The music reaches its climax with a turbulent and unifying cohesion of winds and brass, evoking the powerful forces that have shaped these awe-inspiring buttes and pinnacles. The piece concludes with a climactic and unifying section that showcases the combined forces of the winds and brass, creating a stirring and dissonant effect that leaves a lasting impression on the listener.

Prior to the composer's matriculation into college, the title for an orchestral piece was conceived, eventually culminating in the elaborated decorative orchestral fantasy “Black Magic.” Over an extensive period of years and several iterations, the orchestrations were refined and influenced by spectral composers and the electronic experimentation of using such techniques. Dynamic, impulsive gestures clash against static backgrounds, interludes erupt, and complex networks of varying soundscapes that defy simple categorization clash. Shifting musical elements intertwine and create a vast, intricate tapestry of dark textures and foreboding tonalities that artfully conceal underlying structures for the elaborated and richly-layered quarter-hour orchestral fantasy.

“California 1” is an orchestral composition that integrates experimental techniques of minimalist music with the orchestration styles influenced by modern masters, such as Lutosławski and serialists. Minimalist motifs are deployed through repetitive structures, steady background pulse, and stable harmonic areas, while the orchestral bursts of brilliant colors, sounds, and shapes create a mesmerizing and dynamic sonic landscape. The composer's relocation to Los Angeles marked a significant shift in their artistic vision, and the piece reflects this new direction with the use of modal scales and harmonies, interwoven with dazzling orchestral fragmentation. This hyper-energetic activity emerges as a result of the composer's creative process, inspired by the captivating drive along California 1 while working for the acclaimed music producer David Foster. The composition reflects the relentless, restless energy of the California coastline, captured through a musical language that is both sophisticated and accessible. This groundbreaking work marks a departure from the composer's previous style and showcases the exciting possibilities of experimental orchestral music.

“Chartreuse Genie” is a large-scale orchestral opus that showcases the composer's creative flair in using an eclectic palette of neon-like colors and avant-garde techniques. The score is replete with magical and highly decorative flourishes that weave an otherworldly, at times eerie, sound world, unlike anything previously heard in the composer's oeuvre. The work is inspired by the zaniness of Carl Stalling, to whom the title alludes, and takes unusual combinations and textures from the standard orchestra pit, pitting them against each other in extreme and bizarre juxtapositions. It is a contemporary piece in terms of its harmonies and rhythms, where melody and accompaniment are inverted and turned on their heads to create strikingly novel effects. In sum, this ambitious orchestral work stands as a testament to the composer's daring vision and experimental spirit.

“Circus Scenes,” depicts imagery from the zaniness of the circus experience with dozens of quick, seamless transitions and a plethora of scenes and sequences in varying tempi, keys, and meter. This frenzied escapade glides through an array of orchestral variations and vignettes that are reminiscent of the early 20th-century vaudeville circus acts. It comprises of various elements, including comical 'drunken' trombone solos, sultry burlesque dance routines, dramatic orchestral outbursts, and culminates in a heart-stopping 'high-wire' act. While not explicitly indicated in the score, the scenes are easily envisioned as the music progresses at a breakneck pace, paying a delightful homage to small wind band music, featuring waltzes, foxtrots, and marches, designed to elevate the performances of jugglers, acrobats, and clowns. It is an orchestral extravaganza that is as entertaining and amusing to play as it is a delight to hear.

"Comic Book Fanfares" is a beautifully crafted orchestral composition that seamlessly incorporates the cinematic grandeur of John Williams' iconic superhero themes with a dynamic energy that captures the spirit of beloved comic book characters. The multifaceted orchestration utilizes a blend of string ostinati and tonal variations to create a powerful and nuanced musical experience that conveys a sense of grandeur and nobility through regal melodic lines. Through sweeping melodies and evocative motifs, "Comic Book Fanfares" immerses listeners in a world of epic battles between superheroes and villains where hope and heroism triumph over darkness and despair. This orchestral work is a fitting tribute to the legacy of iconic characters and a testament to the boundless potential of the human spirit. The skillful use of orchestration and dynamic contrasts in this piece makes it an exciting and engaging addition to any orchestra's repertoire.

“Concertino for Harp (‘Cinders’)” is a grand small orchestra and harp concertino scored for strings, percussion, horns, and 3 woodwinds that showcases the virtuosity of a solo harp. The piece boasts of impressionistic touches that are both striking and deeply satisfying. The work exhibits a highly personal and dynamic idiom, with energetic bursts, diverse meters, and various modes of expression for each instrument. It is tonal, yet diverges from neo-Romantic classical music. The elemental simplicity of the piece is treated with diverse rhythms and cross-rhythms, borrowed from the embers, creating a unique tapestry of musical motifs. The texture is airy, with melodic lines that allow for a play of light and shadow, creating a sense of restfulness and striving. The work features gripping climaxes that mark the true dramatic core of the piece, akin to a scherzo.

“Crockett” is a remarkable orchestral piece that draws inspiration from the composer's fond memories of summers spent in the small Texas town. The music blends elements of banjo bluegrass with light orchestral scoring, resulting in a charming and intimate composition. The use of quartal and spatial sonorities, which resist traditional chord classification, adds a unique touch to the piece's traditional tonal center, creating a drifting and floating sensation akin to a summer breeze. Throughout the work, the music centers around Eb, the tonal center that serves as the foundation for the evocative melodies and harmonies that define the piece. It is a captivating work of orchestral artistry that showcases the composer's skillful ability to seamlessly blend diverse musical styles into a cohesive and enchanting composition.

Inspired by the timeless masterpiece of Ravel's Daphnis et Chloe, “Dawn” is a richly evocative orchestral solo that captures the essence of a vibrant sunrise. With its skillful use of ascending arpeggios, trilling woodwinds, and jubilant fanfares, the piece paints a vivid musical landscape that moves through a range of moods, keys, and variations before culminating in a triumphant finale. Beginning in C major and ending in the same key, the piece takes listeners on a journey that is at once thrilling and introspective. Interjected with brief moments of repose, “Dawn” invokes the awakening of bird-song nature calls, effortlessly blending impressionistic moments with emotional intimacy and intensity. With its impressive orchestration and expressive melodic lines, it is a captivating and deeply resonant tribute to the beauty of the natural world.

"The Divine Miss Ruby Pinks" is a whimsical composition channels the charisma of legendary movie stars, such as Gloria Swanson, transporting listeners to a world of glitz and glamour. The music's animated quality traverses many variations, always propelling forward, even if at times in a drunkenly manner. It is a unique work, crafted specifically for those seeking the best in outrageously orchestral music. This piece's exceptional orchestration and unparalleled sophistication make it a one-of-a-kind work that can only suit a fabulously flashy and flamboyant character. It is the perfect choice to add a touch of extravagance and sophistication to any performance or event and is sure to captivate audiences with its mesmerizing musicality. Its bold orchestration and unique melodies create a mesmerizing musical experience that will leave listeners in awe, making it a standout addition to any program.

“Duris” is a minimalist orchestral composition that opens in the key of E minor. Initially somber and gentle, the music quickly builds momentum, with brass hums providing a solid, controlled, and shimmering rhythmic pulse that remains constant in tempo while surprising and engaging the audience with its twists and turns. The repeated arpeggios, fleeting flourishes, and forward-driving repeated notes add depth and texture to the music, setting it apart from other minimalist compositions and leaving listeners thoroughly satisfied with its contrasting sections and orchestral shifts. The title "Duris" is an invented word with no inherent meaning, allowing the music to speak for itself and transport listeners to a world of pure musical expression.

“Embers & Ashes” was initially conceived as a virtuosic harp solo for advanced players. It utilizes impressionistic and aleatoric notation to create an otherworldly atmosphere, where blurred tones and iridescent structures converge to form alluring and shimmering colors that fleetingly shift and change course, like sparks flying across the full range of the harp. These points of light become increasingly ornamental and elaborate throughout the variations, melding into different forms and structures during the episodic stages of the work. A recurring motive ties together the overarching development, spinning wildly out of control in ephemeral fragments that tumble through tingling strains, showcasing a tumultuous topography of harmonically-ambiguous and certain, texturally dazzling and beautiful pastels of whisps of air and glimmers of light. The meticulously crafted music features delicate nuances that are as gossamer as smoke and offer a tactile listening experience with its disjointed melodic particles. The result is a captivating and mesmerizing performance that engages and surprises the audience at every turn.

“Féru” is a dynamic orchestral work imbued with protean vigor and brimming with ever-evolving motivic nuances. Its fabric is propelled by a steady pulse of inner rhythms, interweaved with lyrical melodic lines that seamlessly merge contemporary harmonic and textural shifts into a goal-oriented, exuberant, and even flashy soundscape evocative of Hollywood bravura. Its bright and lively demeanor is imbued with a subtle, sophisticated French flair, sometimes transparent and at other times resplendent in its full orchestral brilliance, all while beguiling listeners with its shimmering colors. This piece emerges from a joyous romp through a kaleidoscope of shifting hues and textures, radiating buoyancy and brilliance at every turn.

"Feux D'Artifice de Nuit," captures the fleeting beauty of fireworks through contrasting themes of energy and calm. With stunning tutti climaxes and interwoven free cadenzas, the work showcases the composer's artistry in orchestration, crafting a harmonious blend of sound that is both sophisticated and seductive. This dynamic interplay captures the wonder and delight of watching fireworks, inspiring audiences of all ages with a childlike sense of magic and wonder. At the heart of the piece are the breathtaking tutti climaxes, which punctuate the score with moments of sheer exhilaration. Energetic and propulsive passages collide with serene and static reflections, creating an explosive and dazzling soundscape that evokes the ephemeral beauty of fireworks. From its spellbinding opening to its triumphant conclusion, it is a mesmerizing and captivating work of art that delights and inspires audiences with its vivid evocation of the explosive beauty of fireworks.

The exuberant "Fiery Overture" delights and invigorates with its vibrant energy and lively tempo, expertly blending the spirited traditions of Romantic-era overtures with modern orchestration techniques. Its recurring melody in the radiant key of A major is expertly crafted to surge and swell with the frenzied orchestra, creating a dynamic and thrilling musical experience. Intended to be played with abandon, this work showcases the effortless virtuosity of its performers, as the music gracefully dances within the natural registers of each instrument. With its exhilarating energy and spirited momentum, "Fiery Overture" is sure to evoke a profound sense of awe and wonder in audiences, leaving them spellbound by its vibrant and dynamic performance.

"Fire Breathing Dragon" is a symphonic powerhouse of visceral energy that showcases the full breadth and depth of a full orchestra. The piece opens with the ethereal sound of high violins, which imbue the music with an otherworldly quality that evokes a primordial soundscape. From there, the piece builds to a dramatic climax of dissonant chords and driving rhythms that are expertly executed by the percussive instruments throughout the orchestra. The composer's use of orchestration is truly innovative, achieving a rare balance between the inherent limits of the orchestra and the dynamic demands of this intense composition. The result is a work that is both experimental and beautiful, showcasing the composer's unique style and vision. It is a symphonic tour-de-force that will leave audiences captivated and awe-struck of the power and otherworldly beauty of orchestral music.

"Fire in the Sky" is a breathtaking orchestral composition that celebrates the excitement and beauty of fireworks through a dynamic interplay of sound and color. The piece is characterized by its shimmering strings, propulsive themes, and bouncy accompaniments, which create a sense of joyful movement and celebration. The opening fanfare, played nobly by the horns, sets the stage for a dramatic and engaging musical journey that culminates in a splashy, dazzling climax. Throughout the piece, brass flourishes and military percussion add a sense of grandeur and spectacle, while sweeping strings and delicate woodwinds provide moments of delicate beauty and contrast. This composition is a testament to the power and versatility of the orchestra, and a stirring tribute to the wonder and excitement of fireworks displays.

"Flourish for a New Era" is an electrifying choral and orchestral composition that celebrates the dawning of a new age. The piece opens with a thrilling fanfare, played by the brass and percussion, which sets the tone for the grand and triumphant music that follows. The choir's voices enter with exultant lyrics, praising the arrival of a new era of hope, possibility, and unity. The orchestra's rich harmonies and soaring melodies support and amplify the choir's vocals, creating a powerful and stirring musical experience.It is a work that inspires and uplifts, embodying the promise and optimism of a brighter tomorrow. The piece reaches a zenith with a magnificent finale, showcasing a magnificent blend of choral and orchestral elements, leaving an indelible impression on the listener and encapsulating the ardor and fervor of this new and promising era.

"Four Christmas Trees" is a delightful four-part musical suite composed for an orchestra and children's choir, evoking the festive spirit of the holiday season. The suite comprises of four lushly romantic movements, each named after a different type of Christmas tree, including "Pine," "Cedar," "Fir," and "Spruce." Through its beautiful orchestral and choral textures, this secular suite blends the innocence and purity of the children's choir with the contrasting movements, offering a refreshing and captivating perspective on the timeless traditions of Christmas. The suite's thematic element of trees represents the joy, wonder, magic, and diversity of the beauty and customs of the season. This charming musical composition is a welcomed addition to the holiday music repertoire, destined to enchant audiences with its festive charm.

“Free as the Sun” is a captivating original and imaginative orchestral tale, or tone poem, that takes the listener on a transformative journey through soaring melodies and contrasting interstitial material. The piece is marked by its thematic material that is developed and varied throughout, leading the listener through a range of emotions, from the thrilling excitement of flight to the depths of sadness, and ultimately culminating in a triumphant and satisfying conclusion. The work exudes a sense of childlike wonder and imagination, evoking the feeling of a beloved children's story brought to life through music. Its richly layered textures and delightful, recurring musical themes spark a sense of pure joy and wonder as the tale takes the listener on an unforgettable journey and listening experience for audiences of all ages.

This eight-minute orchestral and narrated arrangement of Lincoln's speech captures the essence of American history with its poignant and stirring melody. The main theme, introduced by solo trumpets and horn obligatos, seamlessly blends with fife and drum allusions and dramatic orchestral strains, evoking a powerful sense of patriotism and solemnity. The narrator's rhythmic delivery and the orchestration are expertly woven together to create an immersive listening experience that seamlessly combines the power of music and spoken word. Its stirring musical content and inspirational orchestral strains serve as a fitting tribute to American history and a powerful expression of national pride. This composition is guaranteed to move audiences with its seamless integration of the power of music and Lincoln's timeless words.

"Giraffe Series" is a minimalist orchestral composition for winds in trios that represents a remarkable example of restraint in music. This work is an energetic and propulsive tour de force that aims to convey a clear and direct orchestral color that appeals to the listener's emotional core. The piece's rhythmic buoyancy and vividly colored orchestration create an exhilarating listening experience, immersing the audience in a sonic journey through an ever-changing soundscape of varying key centers, textures, registers, and orchestral combinations. At its core, the composition is marked by spiky and syncopated dance-like rhythms that draw inspiration from jazz music idioms, resulting in a vibrant and pulsating orchestration. It radiates dynamism and vitality, leaving a captivating and exhilarating impact on audiences of all ages.

“Graffiti Dances” is a striking, original collection of contemporary dances, exquisitely crafted in the style of modern orchestral music. The work is characterized by an infectious rhythm, created through the expert use of a solo Drum Set, solo Double Bass, and a variety of percussive accents played by the orchestra's percussion section. The piece expertly weaves a tale of youthful street artists who explore the cutting-edge of design, artwork, and choreography, all within the context of gritty and dynamic urban landscapes, brought to life through vibrant and expressive use of colors, shadows, and sprays. The result is a captivating and exhilarating journey, that engages the senses and immerses the audience in the raw energy and creativity of contemporary urban life.

“Heraldings Contemporania” is a contemporary reimagining of the traditional fanfare, showcasing a dynamic interplay of polytonal harmonies and rotating, canonical fanfare motifs dispersed throughout the orchestra. The use of these "rounds" serves as a foundation for this large-scale work, which is characterized by its dramatic power and complex mixed meters. Chromatic harmonies, added dissonances, and unique orchestrational techniques, including strategic placement of instruments in the foreground and background, create a spatially rich listening experience for the audience. One of the most innovative aspects of this piece is its skillful use of dynamic juxtapositioning. This technique allows for a striking contrast between the various sections of the orchestra, highlighting the tension and drama inherent in the piece's modern harmonies and intricate rhythms, and presents a bold and innovative approach to showcases the power of contemporary, brass-centric, orchestral music.

The ballet composition, “The Human Body,” was created during a Visiting Artist/Scholar residency at The American Academy in Rome. This piece for full orchestra showcases post-minimalist techniques utilizing Beethovenian harmonies to explore the complexities of the human body. The music features a consistent pulse, continually evolving textures, and orchestrations that traverse through the harmonic landscape of C minor. The interplay of melody, rhythm, and tonic-dominant relationships delivers an intricate interplay, celebrating the incredible machine of the human form through a variety of dance styles.

“Icarus Dreamt” was inspired by Ovid's mythic tale of Icarus and his fateful flight towards the sun. It is not a mere "setting" of the story, nor is it a small-scale tone poem, but rather a whimsical, fantastical creation that oscillates between gestural expressions of idiomatic orchestral writing and hazy daydreams. Through the intonation of spiritual overtones on the Tam-Tam and stirring emotional outbursts, the music evokes a suspended reality that is both ephemeral and longing, yet ultimately gives way to the harsh reality of cognizance. The harmonic rhythms rise and disappear in a dizzying mix, creating a mesmerizing "night music" that invites the listener into a world of imaginative and surreal imagery.

"In the Direction of Extraordinary Noise" is a poignant and introspective work for Orchestra and SATB Choir. The composition begins with an extended oboe obligato, its cadenza-like quality recurring at periodic intervals throughout the piece. Through lush string lines and intimate solos, the work weaves a chain of bittersweet harmonies that build towards a climactic sustained high string peak, bolstered by the building of timpani and cymbals. Windy passages of wavering winds add to the mounting tension, creating a sense of soaring and emotional swells that eventually give way to a reflective, requiem-like conclusion. The work's solemn and forward direction-oriented lament invites the listener to explore themes of loss, introspection, and reverence.

Despite the challenge of adhering to a rhythmic framework limited to no more than a triplet, "Incarnate Dragons" showcases itself as a formidable composition tailored for orchestras of modest experience. It includes the unmistakable hallmarks of the composer's artistry - rich harmonies, florid lyricism, and a distinct Southeast Asian musical ethos while skillfully integrating diverse the musical influences and stylistic differences of the Far East in this remarkably cohesive and harmonious work. Showcasing the orchestra's capabilities for performers with limited experience, it is a testament to the composer's remarkable imagination and skill in shaping a work of compelling force, inspiration, and potent beauty.

For over a century, the unsolved mystery of "Jack the Ripper" - an unidentified serial killer who brutally murdered prostitutes in impoverished areas of London - has captivated the imaginations of authors, filmmakers, and historians. The graphic and surgical nature of the killings gained widespread media attention, as letters with kidneys from alleged victims were mailed to Scotland Yard, and the murderer was never caught. This piece serves as a haunting backdrop to the sordid tale, contrasting intense dark colors with furious and intense orchestral gestures. The aim is to create a sense of foreboding, building and fading away into the shadows of dissonance and mystery. Supported in part by the Helene Wurlitzer Foundation, this composition is a testament to the enduring power of the Ripper's story to intrigue and horrify audiences.

"JFK: Hymnsong of Peace" is an orchestral tribute that commemorates the visionary ideals and selfless sacrifices that have forever marked John F. Kennedy as one of America's most beloved Presidents. The piece serves as a touching tribute to Kennedy's call for responsible stewardship of our shared planet and the shared aspirations of achieving a world united in peace. The music features eloquent melodies that seamlessly blend with the cinematic landscape of the piece, allowing listeners to embark on a transformative journey that evokes a powerful and immersive experience. The piece is a harmonious embodiment of Kennedy's legacy, resonating with listeners through its beautiful harmonies, evocative textures, and stirring emotions.

“Lamentation Songs” is a poignant and evocative work of orchestral music, characterized by long, mellifluous melodies that shimmer in hushed and ethereal tones. With hints of Coplandesque modalities, it tugs at the listener's heartstrings, effortlessly gliding from extreme highs to profound lows, while deftly navigating the twists and turns of the Bb minor scale. The piece is a masterclass in accessible yet enchanting music that speaks to the soul, delicately exploring a range of timbres and moods with sensitivity and nuance. It is a lush and skillfully orchestrated composition that captures a meandering and contemplative mood through its gentleness, mystery, and dreamlike wanderings, leaving a lasting impression on those who experience it.

During the composer's residency in Wyoming, an intention to encapsulate the awe-inspiring expanse of the state's open prairies and serene nights, as well as honor the adventurous, free-spirited essence of the American West, came to fruition. The concept of conveying an American "tall tale" took shape and manifested itself in the form of a cohesive, five-movement orchestral composition, marked by buoyant rhythms and luminous harmonies. The unifying theme that permeates each of the 5 attaca movements lends a sense of continuity to the narrative, elevating the work to a singular and memorable artistic achievement. Movements are:
1.) Pecos Bill Shows Off, With uproarious vigor
2.) The Appearance of Slue-Foot Sue, Triste
3.) Lightning, The Horse, Animato, with humor
4.) The West, Broad and legato
5.) Finale, Tempo primo

“Maharaja” is an orchestral suite that employs a variety of contrasting styles, moods, and textures, featuring a few identifiable and accessible thematic events. The music is characterized by the use of modal scales and melodies, evoking a dramatic and striking soundscape that immerses the listener in a richly cohesive and exotic percussive world. The sweeping desert vistas serve as a backdrop to a constant struggle for survival against the elements, surprise attacks, and the rulers of the scorched and seemingly endless desert sands. With keen dramatic sensibilities, the music deftly explores the influence of the Far East on these themes, evoking an atmosphere of sultry heat and contrapuntal build-ups that showcase the tension between grandeur and exuberance.

"Manhattan Nightscapes" is a brief yet enchanting orchestral piece that delves into the mystical essence of New York City's nocturnal allure. The composition utilizes a captivating motif of descending woodwind filigree, which vividly evokes the twinkling lights of the urban landscape. The music commences with brief bursts that gradually expand, enveloping the listener in a serene atmosphere. The brass section adds depth and vitality to the strings' melodious branches, mimicking the bustling rows and grids of the city's bustling avenues. Through its sweeping melodies and vibrant tonal palette, the composition transports the listener on an enchanting journey through the vibrant and seductive heart of Manhattan at night.

The orchestral work, "Medusa," engages in a delightful exploration of timbral and textural extremes, penetrating the realms of the grotesque through its experimental orchestration. The work features extensive sections of string glissandi, fierce brass dynamics, including the use of mutes, and experiments with the outer reaches of wind instruments to heighten the musical palette with vibrant hues and depths. It is a composition that not only facilitates intense and exhilarating performance experiences but also invites listeners to immerse themselves in its unflinching, unapologetic directness and intensity.

The genesis of “Moses” can be traced to the composer's tenure as a Visiting Artist/Scholar at The American Academy of Rome. As he frequented various cathedrals, museums, and street fairs, he found himself inexorably drawn back to Michaelangelo's spellbinding sculpture of Il Mosi, housed in the church of San Pietro in Vincoli in Rome. This monumental work, replete with lifelike and awe-inspiring features, reputedly elicited from its creator the fervent exclamation, "Now, speak!" The work's initial strains are hushed, marked by a series of descending lines, Horn and Trumpet solos, but gradually expands in breadth and scope, buoyed by soaring orchestral lines that impel the listener forward in stately and majestic strides. The high String ascension and the final flourish, redolent of the modal characteristics of the distant and ancient lands, round out this composition of eminence and grandeur.

"Musica Vecchia" is a suite of original music in four movements for Solo Harp, Strings, Harpsichord, French Horns, and pair of Oboes that draws inspiration from the intricate style of the Baroque era. The suite creates a complex and multifaceted experience through the artful weaving of contrasting instrumental moods, themes, and disparate keys, each infused with the characteristic contrapuntal style of the Baroque. The solo harp is a standout instrument throughout, displaying virtuosic technique and finesse in nimble and intricate passages while skillfully incorporating expressive variations unique to the instrument. It is a joyful showpiece that features the exceptional talent and skill of the advanced harpist with the nuances and complexities of the Baroque style.

"The Nativity Scene" is an orchestral composition inspired by the miraculous virgin birth as told in the New Testament. It features a seamless interplay between narrator and orchestra, with the latter providing a harmonious backdrop that heightens the grandeur of the event. Sweeping melodies, buoyant rhythms, and harmonic climaxes evoke a sense of emotional resonance, bringing to life the holy atmosphere of the occasion. The music culminates in a breathtaking finale that underscores the timeless significance of the event. The piece speaks to the profound spiritual significance of Christmas, capturing the essence of the holiday season with a captivating and uplifting sound. Its cinematic style, harmonic sophistication, and flawless execution showcase the power of orchestral composition to inspire and move the listener. Through soaring melodies and harmonic climaxes, the composition embodies the wonder and reverence of the season, enchanting audiences with its beauty.

"Of Bronze and Stone" is an orchestral piece that skillfully integrates a recurring, melodic theme with varying moods, dynamics, and orchestral textures. It has a cinematic quality and military-inspired aesthetic, elevated by intricate spatial and harmonic construction. The composition's meticulous attention to detail and development of the theme results in a powerful blend of heroism and drama that immerses the listener. The use of orchestral colors and textures creates a rich sonic landscape that complements the melodic theme, imbuing the piece with a sense of grandeur and majesty.

“Olympic Fire” is an uplifting orchestral work that showcases a lyrical and thematic structure, enriched by the subtle use of fanfare and theme motivic devices. The composition is meticulously crafted with long, emotive melodies and intricate harmonic language, designed to captivate a diverse range of listeners without relying on overt nods to Roman and Greek influences to convey the essence of the Olympic spirit. The piece features a fluid 3/4 time signature, with several tonal centers that seamlessly shift throughout the work, creating a mesmerizing array of contrasting expressive sections. Although it is composed with great intricacy, it retains a beautiful tunefulness and elegance.

The composition "The Olympic Gods & Games" is a dynamic and athletic orchestral piece that marries cinematic flair with tuneful melodies. The work incorporates fanfare and long melodic themes, as well as contrasting segments that shift towards distant tonal centers. Its brass-centric approach yields a modal and powerful sound that expands in scope, texture, and orchestration, ultimately creating a swirling soundscape of dynamic rhythms that both entertains and captivates audiences. The music is built on a foundation of quartal and quintal harmonies, which harken back to the past while remaining firmly rooted in contemporary polyphonic sonorities. This results in a thrilling and accessible work that appeals to a broad range of listeners.

The ostrich, a large, flightless bird known for its distinctive habit of burying its head in the sand, is a fascinating and amusing creature that has inspired many creative endeavors. Among these is a whimsical and playful "cartoon music" piece, originally composed for wind band under the title "The Ostrich Farm." Through several revisions, this piece has evolved into a lively and spirited romp for full orchestra, featuring tuneful melodies, lively motifs, and unpredictable rhythms that captivate and delight audiences with their playful and energetic character. It is sure to enchant and captivate audiences with its madcap energy and cheerful disposition.

“Pinnacle” is a concise minimalist composition for orchestra that derives its charm from a delicate balance of flourishes, gestures, and filigree. The aim of this work is to engage and delight audiences through a sequence of dynamic and lively harmonic segments that propel the listener forward into a bright and effervescent world of rushing orchestral colors. The music is characterized by a resilient and shimmering quality, achieved through the skillful use of silvery textures and sparse density. Though brief, the melodies are carefully crafted to provide moments of fleeting beauty, while much of the music consists of transitional material that seamlessly guides the listener from one texture to the next. Overall, Pinnacle is an impressive showcase of minimalist orchestration that demonstrates the composer's ability to craft enchanting soundscapes from the simplest of musical elements.

“Pop Art” is a captivating orchestral work that features the electric guitar as an equal and integral part of the ensemble. Unlike a traditional concerto, where the soloist takes the lead, the guitar serves to enrich and enhance the texture and density of the orchestra, resulting in a cohesive and dynamic sonic landscape. The piece's lively 6/8 rhythm and presto tempo are reminiscent of both the rock genre and contemporary orchestral compositions, creating a unique and innovative fusion that challenges the listener's perception of accessible, genre-blending music. With its diverse range of overlapping rhythms and harmonies, “Pop Art” blurs the lines between musical styles, much like the pop art movement itself. The result is a thrilling and thought-provoking work that pushes the boundaries of traditional orchestral music.

"Portrait of My Father" is a poignant and introspective suite comprised of five movements that intimately explore the composer's emotional journey through a series of musical sketches. Written shortly after completing a Bachelor's degree in Music and before graduate studies, the work was largely composed during a residency at the Helen Wurlitzer Foundation, a critical opportunity that allowed for the piece's development and refinement. Through its skillful use of musical motifs and themes, the suite weaves together various melodies in a way that is both intricate and accessible, inviting the listener to embark on a journey of self-discovery and reflection. This remarkable work speaks to the power of music as a means of personal expression and contemplation. Its thoughtful composition and evocative themes make it a compelling addition to any orchestral program, capable of touching audiences on a profound level. Each movement is thoughtfully titled and evokes a range of moods, from the lively and optimistic "En Irelande" to the somber and contemplative "Lessons in Grief" and "Dialogues before Death." The suite is a moving testament to the composer's artistic vision and personal journey, offering a glimpse into the cathartic power of music.

“Potomac” is an elegant and cohesive single-movement work for solo trumpet and orchestra that showcases the versatility and beauty of the trumpet as a solo instrument. The composition features a subtle yet powerful blend of modal harmonies and complex orchestrational textures that create a symphonic tapestry of sound. Rather than relying solely on bold and declarative statements, the piece allows ample space for the soloist to showcase their lyrical abilities, with sweeping melodic lines that soar above the ensemble's ceremonial topographical landscape. This dynamic interplay between soloist and orchestra creates moments of intense musical dialogue, with alternating brassy climaxes that serve to highlight the trumpet's expressive range. With its intricate interplay of themes and textures, Potomac is a captivating addition to any orchestral program, showcasing the power of music to create a vivid and compelling emotional experience.

“Redwood I” is the first installment of a three-part series of orchestral works that forms a complete musical triptych. The aim of this piece is to guide and immerse the listener through three distinct re-scorings of the same piano sketch, each orchestrated in a unique and imaginative style. In the first piece of the set, early American methods of "atonal counterpoint" are employed to create a rich and complex musical landscape. This technique is based on a non-serial approach that avoids repeating a pitch class until eight intervening pitch classes have been played. The main melodic lines are characterized by solo performances, highlighting the interval of the major ninth. The outcome is an impressive amalgamation of intricacy and approachability, arousing a feeling of fascination and exploration that is bound to captivate listeners.

“Redwood II” unveils with a commanding "pedal point" that swells in its intensity, expanding its melodic branches ever upwards. Intervals of the 7th and 9th figure prominently in the work's powerful twists and turns, offering contrasting moments of both bold and delicate textures that evoke a sense of somber yet majestic dissonant beauty. The piece features expansive tuttis, where the musical material unfurls relentlessly, writhing with intense passion and fearlessly branching out in all directions - above, below, and in-between - balancing registral development with motivic seeds of contrapuntal figuration and ornamentation. The resulting dense, complex textures feature overlapping and competing voices, creating a churning and undulating fluidity that explores the vast and colorful orchestral range and dark tessitura. The composition serves as a fitting musical portrait of the towering national treasures that inspired it, the great Redwoods.

“Redwood III” is the final piece of a triptych of orchestral works that feature the same piano sketch, but with vastly different orchestrations. While the previous movements focus on pitch and sound, this piece highlights the power of silence and negative space. The music is delicate and whispered, leaving ample room for the imagination to explore the majestic towering Redwoods, ancient monuments that exude wisdom and strength. The movement conjures the image of leaves gently rustling in the wind, evoking a sense of ancient solemnity that belies the trees' massive size and weight. It is a powerful and evocative work that showcases the composer's skill in crafting intricate soundscapes that transport the listener to a different realm.

“Roma Farandola” is a set of canonical fanfares that weaves complex harmonies, intricate rhythms, and mixed meters into a cohesive and engaging musical experience. While the piece remains predominantly in the brass section, the motivic material is passed around the orchestra, creating a sense of unity and interconnectivity. Throughout the work, the listener is taken on a journey through a range of emotions, from the stately and regal opening fanfare to the urgent and expectant middle section. The use of advanced orchestration techniques allows for a vast range of tonal colors and textures, creating a sonic landscape that is both rich and dynamic. The final section of the piece is a breathtaking display of virtuosity, as the various themes and motifs interweave and culminate in a triumphant and majestic conclusion. The music is both challenging and rewarding for the performers, requiring a high level of technical skill and musicality to execute with precision.

“The Running of the Bulls” is a dynamic and energetic orchestral work that transports the listener to the lively and bustling streets of Pamplona, Spain during its iconic annual festival. With a lively 6/8 meter, the piece is imbued with polytonal, dance-like gestures that evoke the heat of the Spanish sun, and an electric sense of movement and momentum. The intricate interplay of triple and duple cross-rhythms adds to the sense of excitement and urgency that builds throughout the piece. While the melodic shapes and timbres may be seen as traditional, the composition is anything but, as it explores the creation of a sense of anticipation and playfulness with the use of syncopated patterns, lively Woodwind passages, bold Brass exclamations, and Timpani rolls. The result is a thrilling musical experience that expertly captures the vibrant energy of this storied cultural tradition.

“Six Japanese Children's Songs” is a suite of original compositions, each featuring lyrics sung by a children's choir. The songs vary in mood from cheerful to haunting, with lush and romantic-styled pieces in between, all elegantly orchestrated and richly textured. Sung in Japanese, the songs incorporate unconventional instrumentations and rhythms, adding a unique and contemporary sound that has received critical acclaim. The suite showcases the versatility of the music, offering a range of emotions and styles that create a rewarding listening experience for audiences of all ages. The unconventional instrumentations and rhythms create a sophisticated and innovative work that blends the innocence and purity of children's voices with complex harmonies and textures.

“Southern Lightning” is a contemporary orchestral work that pays homage to the late composer Jacob Druckman in its title, while charting its own path of avant-garde experimentation. The piece features warm, richly layered sonorities that clash and overlap in antiphonal arrangements, punctuated by sudden bursts of rhythmic energy and brilliant flashes of color. The orchestration is dense and experimental, using simple motifs to create a complex and evocative soundscape that is both cohesive and convulsing. “Southern Lightning” is a fascinating demonstration of orchestral shimmering colors can be used to create a work of dazzling complexity and emotional depth.

“Suite from 'An Unmade Film'“ is a captivating and multi-faceted orchestral work, comprised of eight distinct multi-movements that showcase an array of contrasting styles and moods. Cinematic in nature, the suite shimmers with an elegant orchestral arrangement and boasts a dramatic scope. Each movement is a self-contained instrumental narrative, with its unique character and charm. Ranging from the furiously intense "Furioso" to the dreamlike "Molto Rubato," and the foreboding "Misterioso," the movements offer an immersive and cinematic listening experience. The suite also features a vivacious scherzo, a stirring "Con Forza," and a solemn "Religioso," each contributing to the rich and varied emotional landscape of the work. It is a remarkable and cohesive musical journey, each movement serving as a testament to the composer's skill in creating vivid and evocative orchestral music.

"Suite from 'The Unexpected Regnant'" is an outstanding example of contemporary orchestral composition. Featuring six multi-movements, the suite's contrasting tonal centers, styles, and orchestrations offer a unique listening experience. With a distinct modern flavor, the suite's brooding, dark, and expansive style takes the listener on an imaginative journey through antiphonal music that evokes a sense of elegant yet ominous grandeur. The richly textured dissonant sonorities and broader cinematic sweeping lines create a hauntingly beautiful soundscape that captivates the listener's imagination. This cohesive and evocative work showcases the composer's ability to craft rich and immersive musical experiences that are deeply rooted in both classical and contemporary traditions.

“Swashbuckler's Duel” is an original composition that seeks to highlight the hallmark orchestrations of Strauss. The piece features a forceful, dramatic, and quickly moving orchestral work, without a specific narrative or tone poem. Using a singular, forceful, and energetic Horn theme in recurring intervals, the piece showcases a bright key of A major. The ABA form of the piece confidently and heroically employs this theme, with a contrasting lush interlude that interrupts the action with delicate and vivid orchestrational textures and soft evocations, complete with modal inflections. The result is a work that showcases the composer's ability to craft exciting and dynamic music, while simultaneously paying homage to Strauss' orchestral legacy.

“Symphony No. 3” is a masterful composition that embodies the rich traditions of symphonic development, structure, and tempo. The composer's dedication to his craft is evident in this mature and cohesive work, which reflects his extensive training in conservatories and universities. Designed with the contemporary classical aesthetic in mind, the symphony features intricate orchestration and a sweeping scope. Its four movements showcase the composer's unifying approach to large-scale works, which is achieved through both form and thematic development. The shifting tonal centers and overlapping textural colors, combined with a large orchestra featuring winds in threes with standard doubles, create a cerebral and tightly-wrought soundscape. The resulting music is a dissonant and lyrical masterpiece that showcases the composer's exceptional ability to create a rich and evocative musical experience.

“The Tragedian” is an expansive orchestral composition that skillfully incorporates minimalist techniques to create a dynamic interplay of ostinati, propulsive rhythms, and subtly shifting harmonies. The piece's opening chorale-like motif sets the stage for an ever-expanding set of pitches, eventually leading to primarily pentatonic modes in the exposition. The composition traverses through various textures and tensions, pitting sections of the orchestra against one another to create a captivating interplay of opposing musical forces. The work's title is suggestive of its fascinating duality, embracing and rejecting scales and modalities in equal measure. This kaleidoscope of intricately alternating patterns evokes the lively and unsettling atmosphere of a fast-paced and bouncy ballet. Ultimately, the piece concludes with a sense of fleeting transience, like a vapor of smoke that vanishes into thin air.

“Twenty One Gun Salutes” is a brief yet captivating "curtain raiser" for orchestra. Its celebratory nature is reflected in its multiple declarative motivic utterances, which are skillfully woven among expanding textures and climaxes that propel the listener towards an exciting and ultimately satisfying conclusion. The composition's richly-layered polytonal sonorities lend it an air of audacity, yet it remains accessible to the customary conservative listener. Notably, the piece emphasizes building vigorous, bold rhythmic interest through its inexorable presentations and permutations, featuring harrowing melodic leaps that add a sense of urgency and momentum. It is an impressive work that showcases the composer's deft ability to craft a thrilling and engaging musical experience within a compact format.

“The Unluckiness of Prime Numbers” is a unique and ambitious orchestral composition that centers around the captivating properties of prime numbers. Rather than relying on a narrative, the piece uses prime numbers to shape its rhythmic and compositional patterns. The minimalist music is divided into three distinct sections, seamlessly transitioning from one to the next. The opening section, "Part One: Deliberately," features a pulsing rhythm in the SATB choir and orchestra that gradually fades in and out against a backdrop of richly-textured chord progressions. The middle section, "Part Two: Half-Time Feel," is a marked departure from the previous movement, incorporating silence as a key component of the piece. Finally, "Part Three: Tempo Primo" concludes the work with a return to the opening pulsing rhythm. Despite its unconventional structure, it is a captivating and intricate composition that showcases the versatility of prime numbers in music.

"Velvet Winter White" is a contemporary orchestral composition that explores the power of dynamic contrast, antiphonal answering, and layering to create spontaneous-sounding polyphony. The piece is divided into three sections, each pitted against the others, with each section featuring layers of sound that combine to produce a hazy, gestural quality. Unlike more traditional works, "Velvet Winter White" eschews clear-cut motives and garish colors in favor of a more nuanced and textured sound world. This "piecemeal" approach to composition results in a puzzle of effects that varies from performance to performance and depending on the listener's perspective. Each added layer of simplicity gives the piece an added complexity, producing a striking effect that is both thought-provoking and emotionally engaging.

"Viola Concerto" is a striking orchestral work that showcases the unique and sensitive voice of the solo viola. Divided into three movements, the piece features circular circuits and rotating pitch cells that surround the viola's long lines, providing a contrasting accompaniment that highlights the middle register of the instrument. This contemporary concerto is both colorful and theatrically evocative, with expertly compact and designed stylistic techniques. The traditional Medium-Slow-Fast structure provides a satisfying sense of form, while the soloist's virtuosic command of the full registral range of the viola is on full display. Throughout the piece, the listener is treated to a chaconne-like set of embellishments that violently interrupt the vocalism of the viola with syncopated and jagged echoes of disparate and fleeting melodic utterances. These underlying shifting harmonies surprise and punctuate the piece to great tactile effect, resulting in a a memorable and engaging musical experience.

The "Violin Concerto" is a captivating three-movement composition that showcases compelling dramatic elements. Originally written for violin and orchestra, it also features a reduced version for piano and violin. It exhibits a sustained rhapsodic mood characteristic of traditional 19th-century concerti, with technical structures that are antithetical to the concerto's language. The piece provides numerous opportunities for the soloist to display their artistry in cadenza-like passages that occur throughout the composition. The final movement is particularly impressive, featuring overlapping rhythms and ostinati that combine in bold, brilliant figurations, soaring arpeggios, and orchestral sweep that culminate in grand, lyrical, and unflinching climaxes. The composition's virtuosity is on full display with a consistent and coherent structure that reinvents traditional form with considerable ingenuity. The violin writing is idiomatic and features melodies derived from thematic relations that evolve with a Berg-ian warmth and shapeliness. These elements combine to provide a fresh and individual creation that demands to be heard again, showcasing the composer's artistry and leaving a lasting impact on its listeners.

"The Warhol Economy" is a large orchestral composition that uses energetic ostinati and flourishes to create a balletic, gestural idea of quick movement and inventive images. The piece features crisscrossing modalities and scalar patterns that chase each other in an elegant game. It produces dissonance and atmospheric clouds, interspersed with brilliant eruptions of colors, shapes, and sounds. The piece employs the use of modal scales and harmonies, which create undulating pulses of hazy, ephemeral aftertones. These techniques are similar to those used by Scriabin and Tcherepnin. The composition creates a dreamscape-like quality, immersing the listener in a richly textured and imaginative soundscape. With its evocative use of modal scales and harmonies and its vivid imagery and musical textures, the piece presents a compelling musical landscape that is sure to captivate and inspire its listeners.

The "Harp Concerto (‘Winter’)" skillfully captures the essence of winter through a mesmerizing musical work. Its lyrical and poetic quality parallels the intricate and delicate qualities of the harp with winter's snowfall, evoking a sense of calm and tranquility. The grand and sweeping moments reflect the breathtaking beauty of a winter landscape. The imaginative writing highlights the harp's special effects, oscillating between yearning stretches of harmonies and sweeping grandeur, much like cascading snowfall. The delicate interplay of coldness and tenderness is woven throughout the score, complemented by warm and sumptuous colors. The concerto intertwines the beauty of music and the enchantment of winter that lend a beguiling and dazzling quality to the work.