Believed to be at least 250 years old, “Adeste Fidelis” is sometimes attributed to King John IV of Portugal “the musician king” (1604-1656), who compiled one of the world's largest musical libraries, or the English hymnist John Francis Wade (1711-1786). The earliest versions of "Adeste Fideles" remain in Latin, while most versions are sung in English as “O Come All Ye Faithful.” Nathan Kelly's piano arrangement of the song is a beautiful rendition that starts with a gentle and flowing melody played delicately on the piano. As the piece progresses, the arrangement becomes more intricate and intense, with various embellishments and variations on the central theme. The result is a breathtakingly beautiful performance that captures the timeless beauty and wonder of the Christmas season, leaving a stirring and unforgettable musical experience.

"Angels from the Realms of Glory" is a classic Christmas carol that has endured for centuries. Written by Scottish poet James Montgomery in 1816, the hymn was sung to various tunes until it was set to the French carol tune "Angels We Have Heard on High" in the Oxford Book of Carols in 1928. Nathan Kelly's piano arrangement is a beautiful rendition that captures the essence of the holiday season. The pianist starts with a gentle and flowing melody, gradually building up with intricate embellishments and variations on the central theme. The result is a mesmerizing performance that masterfully blends various harmonies and rhythms, evoking the beauty and wonder of the Christmas story. This arrangement is a testament to the enduring power and beauty of this classic Christmas carol.

The beloved Christmas carol "Angels We Have Heard on High" is renowned for its memorable chorus, "Gloria in excelsis Deo," where the word "Gloria" is held through a melismatic sequence of 16 notes. With English lyrics by James Chadwick, the carol is set to the traditional French hymn tune "Gloria." Nathan Kelly's piano arrangement of this classic carol is a captivating interpretation that flawlessly captures the essence of the holiday season. Beginning with a soft and gentle melody played delicately on the piano, the piece gradually intensifies in complexity and emotion, utilizing intricate embellishments and variations on the central theme to create a rich and layered musical experience. The outcome is a stirring tribute to the enduring beauty and significance of this timeless holiday favorite.

"Auld Lang Syne" is a traditional holiday song that bids farewell to the old year and is often played at funerals or farewells. The song's text was transcribed by Robert Burns in 1788 and is based on an older Scottish folk song. Nathan Kelly's piano arrangement of the classic song is both emotive and evocative of the Scottish landscape. The arrangement begins with a gentle and delicate melody over undulating flutters of evocative harmonies, gradually building in complexity and intensity. The pianist skillfully uses a variety of harmonies and rhythms to create a layered and rich musical experience that captures the sentimentality and nostalgia of the holiday season, resulting in a captivating and unforgettable performance that fittingly honors this timeless Scottish folk tune.

"Away in a Manger" is a beloved Christmas carol sung widely throughout the English-speaking world. Once thought to have been penned by German religious reformer Martin Luther, it is now believed to be purely American in origin. Nathan Kelly's piano arrangement offers a serene and beautiful interpretation, with a soft and gentle setting that evokes the peaceful and reflective tone of the lyrics. Each embellishment, from delicate trills to quick flourishes, creates an orchestral sense with precision and grace, painting the story of this enchanting carol with delicate and lush agility. Gradually building in intensity and intricacy, it culminates in a breathtaking soundscape that leaves a cinematic impression. It breathes new life into a classic, evoking the simplicity and beauty of the Christmas story while inspiring feelings of comfort and joy.

"Blue Christmas" is a poignant Christmas song about unrequited love, written by Billy Hayes and Jay W. Johnson and famously performed by Elvis Presley in 1957. It is a longstanding staple of Christmas music, especially in the country genre. Nathan Kelly's piano arrangement retains that aspect and offers a beautifully emotive interpretation that captures the song's poignant elegance. The arrangement with a gentle and delicate melody played on the piano, setting a reflective and somber mood, before introducing lush harmonies and subtle embellishments that add depth and richness. The result is a hauntingly beautiful musical experience that evokes the loneliness and heartbreak of spending Christmas without a loved one, capturing the bittersweet sentiment of the season with poignant timelessness.

"Carol of the Bells" is a beloved holiday classic that originated from a Ukrainian folk melody in 1914, featuring a distinct four-note motif that intensifies throughout the song, reminiscent of ringing bells on Christmas Day. Nathan Kelly's piano arrangement offers a fresh interpretation of the carol while retaining its joyous melody, with half of the music in 6/8 and the other 3/4, allowing the listener to focus on either independent part.. With lively and spirited rhythms, colorful textures, and evocative harmonies that resemble an orchestra, the piece builds in intensity and invites listeners to celebrate the holiday season with renewed energy and festive spirit. The arrangement honors the beloved holiday tradition and invites the audience to celebrate the season with renewed energy and festive spirit while honoring the beloved holiday tradition.

"The Christmas Song," also known as "Chestnuts Roasting on an Open Fire," was written in 1945 by Robert Wells and Mel Tormé during a hot July to stay cool by thinking of winter. "I saw a spiral pad on his (Wells's) piano with four lines written in pencil", Tormé recalled. “Forty minutes later that song was written.” Nathan Kelly's piano arrangement brings new life to the familiar melody with intricate harmonies and playful improvisations, capturing the warmth and joy of the holiday season. By utilizing the full range of the piano, the arrangement adds depth and complexity to the original composition, evoking the presence of a symphony orchestra. This fresh interpretation of a timeless classic is the perfect addition to any holiday playlist, inviting listeners to celebrate the magic of the season.

"Deck the Halls" is a traditional Christmas carol with Welsh origins dating back to the 16th century, and its English lyrics were added by a Scotsman in 1862. The carol gained popularity in the 18th century, with even Mozart and Haydn arranging it in their works. Nathan Kelly's piano arrangement of "Deck the Halls" is a lively and spirited interpretation that infuses the traditional melody with vibrant energy. The arrangement features playful embellishments on harmonies, added counterlines, and a sweepingly cinematic style that creates a dynamic and joyful atmosphere, inviting listeners to sing along and enjoy the magic of the festive season. The versatility of the piano as an instrument creates a full and rich sound that evokes a full orchestra. It is a perfect addition to any holiday gathering, capturing the merriment and joy of the season.

"The First Noel" is a Christmas carol with English origins tracing back to 1823 in Cornwall. It features a distinct structure that consists of a repeated musical phrase and a variated refrain, both of which end on the third of the scale. Nathan Kelly's piano arrangement of this timeless classic produces a rich and full-bodied sound that infuses the traditional wintry scene with modern harmonies, resulting in a cheerful and uplifting atmosphere that embodies the spirit of the holiday season. This interpretation is a wonderful addition to any Christmas celebration, eliciting emotions of hope, love, and peace, while also showcasing the beauty, versatility, and magic of the piano. This arrangement of 'The First Noel' reflects a unique approach to reimagining traditional music that balances respect for the original melody with a new and fresh version for modern audiences.

"God Rest You Merry, Gentlemen" is an English traditional Christmas carol first printed around 1760, with a better-known traditional English melody in the minor mode first printed in a rondo arrangement for piano by Samuel Wesley in 1815. It carol was mentioned in Charles Dickens' 1843 novella "A Christmas Carol." Nathan Kelly's piano arrangement offers a captivating interpretation in a dramatic and powerful cinematic style that builds in intensity to a majestic fugue-like climax that will leave listeners in awe. It showcases the wide-ranging capabilities of the piano and its sweeping flourishes and harmonic embellishments help to evoke a sense of dramatic grandeur to the old carol. This captivating and uplifting performance is perfect for warming the hearts of any old Scrooge.

Dating back to 1739, "Hark! The Herald Angels Sing" is an English Christmas carol featuring lyrical contributions from Charles Wesley and George Whitefield. Its music was adapted from a secular work by Felix Mendelssohn with lyrics inspired by Luke 2:14, which tell of an angelic chorus singing praises to God. Nathan Kelly's piano arrangement perfectly captures the carol's joyful and celebratory spirit with a beautiful and moving setting. The sumptuous harmonies add depth and richness while variations and transitions propel the song forward into new keys with colorful and ornamented passages that showcase the instrument's dynamic prowess. This joyous and uplifting arrangement fills the air with the magical spirit of Christmas.

"Hark! The Herald Angels Sing" is an iconic English Christmas carol with contributions from Charles Wesley and George Whitefield. Adapted from a secular work by Felix Mendelssohn, its lyrics from Luke 2:14 describe an angelic chorus singing God's praises. Nathan Kelly's piano arrangement begins with a grand fanfare and progresses to intricate, virtuosic passages that showcase the instrument's technical prowess. The use of modern harmonies, such as 9ths and 11ths, adds depth to the familiar melody while maintaining its traditional structure. The resulting performance is joyous and uplifting, with beautiful passages that showcase the piano's dynamic range, making it perfect for holiday celebrations and a timeless and beloved addition to any Christmas music collection, leaving hearts brimming with merriment and the joy of the season.

"Have Yourself a Merry Little Christmas" is a classic holiday song written by Hugh Martin and Ralph Blane for the 1944 MGM musical Meet Me in St. Louis. Judy Garland's version became popular among troops during World War II, and Frank Sinatra later asked for changes for his "A Jolly Christmas" album. Nathan Kelly's piano arrangement enhances the beloved tune with lush warmth and modern harmonies that evoke the senses. The arrangement starts simply and gradually builds to a rich, full sound with a poignant setting that captures the warmth of a special Christmas gathering. The melody is played with a light touch, conveying the song's wistful and nostalgic sentiment. The arrangement ends with a gentle coda, leaving listeners feeling uplifted and filled with the joy of the holidays.

"The Holly and the Ivy" is a traditional British folk Christmas carol that dates back to the early 19th century. Throughout the centuries, the lyrics and melody have gone through numerous variations, but they were eventually standardized in 1911 by Cecil Sharp, an English folk song collector. The holly and ivy serve as symbolic imagery that represents both the masculine and feminine aspects of nature. This piano arrangement enhances the delicate melody of the carol with lush harmonies, creating a warm and inviting atmosphere. Its skilled use of nuanced dynamics and shading of dissonant tones brings a modern touch to the tune as it is repeated in various keys, transporting the listener to a wintery Christmas scene. This beautiful interpretation highlights the piece's beauty and is certain to be a highlight of any holiday celebration.

"I Wonder as I Wander" is a Christian folk hymn frequently performed during the Christmas season. It is attributed to American folklorist and singer, John Jacob Niles, who collected the song fragment in 1933 from a young girl named Annie Morgan in Murphy, North Carolina for a quarter per performance. Niles transcribed and wrote his copyrighted version of the song based on this fragment. It is that same song that is artfully arranged by Nathan Kelly in this gorgeous arrangement that captures the song's spiritual and mystical atmosphere of a wintry Appalachia. Its poignant melodies and new harmonies paint a peaceful and mystical mood. The arrangement is both gentle and powerful, conveying the enchanting wonder and magic of the holiday season in the wild.

"I'll Be Home for Christmas" is a poignant Christmas classic that has become a holiday staple. Written by Walter Kent and Kim Gannon, Bing Crosby's 1943 recording of the song became a top ten hit, peaking at No. 3. Originally meant to honor soldiers overseas who wished to be home for Christmas, the song has since become a symbol of longing and nostalgia. Nathan Kelly's piano arrangement artfully captures the delicate phrasing, altered harmonies, and sumptuous key changes that elevate the piece. The arrangement's gentle and intimate atmosphere brings out the most emotional depths of the lyrics and pays tribute to the power of family and togetherness during the holiday season.

"In the Bleak Midwinter" is a popular Christmas carol based on a poem by Christina Rossetti. Composed by Gustav Holst in 1906 and Harold Darke in 1909, Darke's version was named the best Christmas carol in a 2008 poll of choirmasters and choral experts. Nathan Kelly's piano arrangement of Darke's version is a stirring and beautiful rendition that captures the essence of the song with its gentle touch and flowing harmonies. The subtle embellishments and dynamic variations in Kelly's arrangement enhance the emotional depth of the piece, creating a transcendent musical experience. It is an intimate and tender interpretation that brings peace and reflection amidst the chaos of the world.

The poem "It Came Upon a Midnight Clear" was written by Edmund Sears, with music by Richard Storrs Willis in 1850. This pairing remains the most popular in the United States, while in the UK and Commonwealth countries, the lyrics are often paired with music by Arthur Sullivan. Nathan Kelly's beautiful piano arrangement of the Willis melody evokes the peacefulness and serenity of a winter night with flowing harmonies and subtle embellishments. It blends emotional depth with haunting sophistication, resulting in a moving musical experience. The arrangement's simplicity and understated elegance highlight the poignant beauty of this timeless classic.

"It's Beginning to Look a Lot Like Christmas" is a beloved Christmas song by Meredith Willson, famously recorded by Perry Como and Bing Crosby in 1951. Its origin is disputed between Yarmouth, Nova Scotia, and Mason City, Iowa. The song was included in his musical Here's Love (1963). Nathan Kelly's piano arrangement captures the joy and excitement of the holiday season through lush harmonies and soaring, cinematic accompaniment. The tasteful balance between melody and modern harmonies showcases the piano's range while retaining the beauty of the tune. This delightful arrangement is perfect for any Christmas playlist or performance.

"Jingle Bells" is a popular Christmas carol by James Pierpont, first published in 1857 as "The One Horse Open Sleigh." It gained fame in the 1880s and was included in parlor songs and college anthologies. While there were many Christmas carols written before "Jingle Bells," it is believed to be the first Christmas record, with the 1898 Edison Records recording being the oldest known surviving recording of a Christmas song. Nathan Kelly's piano arrangement of "Jingle Bells" is a lively and upbeat version that captures the essence of the holiday season with its fast-paced tempo, playful staccato notes, modern harmonies, and syncopated patterns that keep the listener captivated. This exciting arrangement adds delightfully cheerful and wintery embellishments with sophisticated musicianship, making it a perfect addition to any holiday music collection.

"Joy to the World" is a timeless Christmas carol written in 1719 by English minister and hymn writer Isaac Watts. Interestingly, the carol initially focused on Christ's Second Coming rather than the virgin birth. Today, it is commonly sung to the 1848 arrangement by American composer Lowell Mason, an American composer and president of the Boston Handel and Haydn Society, and wasn't written or attributed to Handel as some hymnals claim. Nathan Kelly's piano arrangement of this most-published hymn in North America offers a fun, festive, and cinematic atmosphere, making it a must-have in any holiday music collection. With modern harmonic variations and orchestral scope, this unique interpretation rejuvenates the timeless Christmas carol. Trumpet-like flourishes and left-hand scales demonstrate the full range of the piano and showcase the pianist's skill and creativity.

"Let It Snow! Let It Snow! Let It Snow!" is a popular Christmas song written by Jule Styne and Sammy Cahn in 1945 during a heat wave in Hollywood as they tried to imagine cooler weather. Released just after Thanksgiving, the song had reached No. 1 on the Billboard "Best Sellers" music chart for five weeks, a record later tied by Rod Stewart’s Christmas album in 2012 that Nathan Kelly worked on with David Foster. Nathan’s piano arrangement captures the song's joyful and cozy spirit, with a delicate yet lively melody accompanied by rich harmonies and intricate rhythms. The arrangement conveys the song's cheerful sentiment with harmonic shifts, a key change, and expressive phrasing with delightful and charming counterlines that keep the music light and cinematic, making it a perfect addition to any holiday music repertoire.

"Let There Be Peace on Earth" is a popular secular hymn written in 1955 by Jill Jackson-Miller and Sy Miller for the International Children's Choir in Long Beach, California. After experiencing the pain of a failed marriage and suicidal thoughts, Jackson-Miller found solace in the "life-saving joy of God's peace and unconditional love," which inspired her to write this timeless song. Nathan Kelly's piano arrangement captures the song's hopeful message with a serene melody, gentle harmonies, and soft arpeggios that evoke inspiration and unity. The arrangement features dynamic shifts and subtle variations, conveying the song's emotional depth with sensitivity and nuance. This beautiful rendition is a testament to the enduring power of hope and harmony, as relevant today as when the song was first written.

"The Little Drummer Boy," a Christmas song by Katherine Kennicott Davis, tells the story of a boy who offers his drumming talent as a gift to the newborn Christ. Inspired by the French carol "Patapan," "pa-rum-pum-pum" took rhythm in Davis's mind during a nap. Nathan Kelly's piano arrangement captures the simplicity and innocence of the story with a delicate and playful melody, gentle harmonies, and a steady rhythm. Dynamic shifts and subtle variations convey the song's emotional depth with sensitivity and nuance. This timeless arrangement offers a stirring reminder of the power of music to convey the human spirit's depth and the joy of giving, making it a must-have for anyone who seeks to immerse themselves in the true essence of Christmas.

Composed in 1935 by Albert Hay Malotte, "The Lord's Prayer" has been recorded by numerous famous singers. Malotte's version became popular and was dedicated to baritone John Charles Thomas, who introduced it to the public through his radio performances. Nathan Kelly’s arrangement is elegantly simple yet provides a cinematic approach that leaves an indelible, stirring emotional impact. The arrangement features a flowing melody that builds in intensity and is supported by lush harmonies and an ever-widening scope that builds in intensity and crescendos to a dramatic finale. The result is a powerful rendition of this beloved prayer that is sure to leave a lasting impression on listeners. It is a testament to the enduring power of music to elevate the soul and inspire spiritual contemplation.

Believed to be at least 250 years old, "Adeste Fidelis" is a traditional hymn attributed to King John IV of Portugal "the musician king" (1604-1656), or the English hymnist John Francis Wade (1711-1786). While the earliest versions were in Latin, most versions are now sung in English as "O Come All Ye Faithful" during Christmastide. Nathan Kelly's arrangement captures the essence of the song's traditional melody and harmonies, with added flourishes and variations to enhance the listening experience. It conveys a sense of reverence and gratitude, inspiring warmth and comfort. It is accessible for pianists of all levels, making it a versatile and popular choice for Christmas events. Its timeless message of unity and faith makes it a cherished part of the holiday repertoire.

John Francis Wade, an Englishman, composed the Latin Christmas hymn "Adeste Fideles" in 1743. Due to religious discrimination, he moved to France where he taught music at a college in Douay and sold chant music for use in wealthy families' chapels. Other writers added four more stanzas to the hymn by the early 19th century.
Nathan Kelly's piano arrangement of "O Come, Let Us Adore Him" is a powerful and uplifting interpretation of the hymn, featuring rich harmonies and flowing counterlines that capture the exuberance and reverence of the lyrics. Whether played in church or at home, this arrangement of “O Come Let Us Adore Him” is sure to inspire listeners to celebrate the birth of the newborn King.

"O Come, O Come, Emmanuel" is a beloved Christmas carol with roots dating back to monastic life and music from the 12th century. The hymn's text is a metrical paraphrase of plainchant antiphons sung before Christmas Eve. Nathan's piano arrangement captures the hymn's solemnity and reverence with delicate arpeggios and rich harmonies, reminiscent of plainchant music. Its flowing lines and monastic spirit, combined with stagnant harmonies, create a powerful tribute to the beauty and spiritual power of music. Listeners are invited to reflect on the holiday season with reverence and hope, inspired by the soulful interpretation. This arrangement beautifully conveys the message of hope and salvation that Christmas brings.

"O Holy Night" is a beloved Christmas song that originated from a French poem that begins “Midnight, Christian, is the solemn hour” by Placide Cappeau. It was written in 1843 to commemorate the renovation of a church organ in Roquemaure, France. Its wide-range makes it one of the most difficult to sing. Nathan Kelly's piano arrangement of the song is a breathtaking interpretation, with sweeping arpeggios and delicate melodies that perfectly capture the emotional power of the lyrics. The rich harmonies and counterlines add depth and emotion, making it an ideal choice for playing in church or at home. This arrangement is sure to inspire listeners to reflect on the message of hope and joy that Christmas brings. It is a testament to the beauty and power of music to convey the spirit of the holiday season.

The text for the popular Christmas carol "O Little Town of Bethlehem" was written by American Episcopal clergyman Phillips Brooks in 1868 after he visited Bethlehem in 1865. He asked his church organist, Lewis Redner, to create music for his "simple little carol" for the Christmas Sunday service. Redner recounted how he heard an angelic tune the night before and woke up to jot down the melody. Nathan Kelly's arrangement features chromatic harmonies, shimmering textures, and flowing arpeggios that capture the serene and peaceful atmosphere. The arrangement evokes the imagery of the ancient, quiet, and humble town with a creative and tranquil response to the hymn's message and storytelling, adding a cinematic touch to the nativity scene.

"O Christmas Tree" or "O Tannenbaum" is a timeless carol with roots in a 16th-century folk song. Written by Ernst Anschütz in 1824, the lyrics celebrate the evergreen fir's constancy and faithfulness, but do not specifically refer to Christmas or a decorated tree. The custom of the Christmas tree developed in the 19th century, and the song became associated with the holiday. Nathan Kelly's beautiful arrangement of the timeless song is a moving interpretation that is cinematic in scope, weaving together lush harmonies and stirring textures in various keys to create an ephemeral atmosphere of hope and inspiration. This arrangement finds the simple heart of the tune and colors the evergreen tree in all its beauty, resonating with people of all ages and cultures.

“Once in Royal David's City” is a beloved Christmas carol that originated as a poem by Cecil Frances Alexander and was first published in 1848. The English organist Henry Gauntlett later set the poem to music, becoming one of his most famous compositions. Nathan’s arrangement of this classic melody brings a fresh interpretation to the carol, utilizing rich harmonies and delicate ornamentation on the piano. It captures the essence of the Christmas spirit with its hauntingly beautiful melody and subtle variations in tempo and dynamics, creating a sense of anticipation and wonder. The piano's warm tones and full-bodied sound create an intimate atmosphere, inviting listeners to reflect on the beauty and meaning of the holiday season. This moving tribute to the birth of the Savior will leave audiences feeling uplifted and inspired.

"Santa Claus Is Comin' to Town" is a popular Christmas song written by J. Fred Coots and Haven Gillespie in 1934. Sung during the Great Depression on Eddie Cantor's radio show, the song became an instant success, selling 500,000 copies of sheet music and 30,000 records within 24 hours. Nathan Kelly's piano arrangement of this beloved classic incorporates jazz and blues harmonies and riffs into the playful dotted rhythms of the bass line. Its bouncy accompaniment amplifies the jolliness of the atmosphere with infectious energy, making the song really swing. The arrangement's combination of subtle variations in the accompaniment with modern extended chords adds brilliance to the voicings, perfect for bringing the lively excitement and anticipation of the holiday season to any audience.

"Silent Night" is a cherished Christmas carol composed in 1818 by Franz Gruber and Joseph Mohr. Mohr, a Catholic priest, penned the lyrics, and Gruber, a schoolmaster and organist, created the melody for a Christmas Eve mass. The song gained popularity through folk singers, captivating audiences that included royalty and making its way to New York City in 1839. Nathan Kelly's piano solo beautifully interprets "Silent Night," capturing the serenity of a snowy night with delicate notes and subtle variations. The pianist's expressive touch creates a tranquil atmosphere, reminiscent of moonlit snowfall. A brief pause encourages reflection, while the final section adds depth and nostalgia, echoing the beauty of cherished memories. The dynamic shifts mimic the ebb and flow of emotions, concluding with lingering notes that leave behind a peaceful, holiday-inspired reverie.

"Silent Night" ("Stille Nacht") is a popular Christmas carol with music by Franz Gruber, a schoolmaster and organist, and Joseph Mohr, a Catholic priest, in 1818. On Christmas Eve 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass. By the 1840s, the song was well known and reported to be a favorite of Frederick William IV of Prussia. The melody changed slightly to become the common version known today. In Nathan Kelly’s arrangement, the pianist begins with a gentle introduction, coaxing the timeless melody from the keys with a tender warmth. As the piece unfolds, the pianist introduces subtle variations, adding nuanced embellishments that evoke the magic of a snowy landscape. The left hand provides a steady, comforting foundation, mimicking the soft fall of snowflakes, while the right hand dances gracefully, painting the scene with delicate ornaments and melodic flourishes.

"Silver Bells" is a Christmas song composed by the songwriting team of Jay Livingston and Ray Evans for the Bob Hope Christmas film, The Lemon Drop Kid filmed in 1950 and released in 1951. The first recorded version was sung by Bing Crosby in 1950 and, after it became popular, Bob Hope and the crew were called back in late 1950 to reshoot a more elaborate production of the song. The idea originated from a bell that sat on an office desk that he shared with Livingston. Nathan’s arrangement.

"The Nutcracker" is a classical ballet that tells the story of a young girl rescued from the Mouse King by the Nutcracker in the Land of Sweets on Christmas Eve. First performed in 1892, it gained renewed interest after being featured in Disney’s "Fantasia" (1940) and George Balanchine's ballet for television in the 1950s. Nathan Kelly's arrangement features a selection of the most memorable and recognizable themes from the ballet, capturing the joyful spirit of the holiday season. It includes the dark Sugar Plum Fairy interpretation, soaring melodies of the Waltz of the Flowers, and beautiful dance music. This suite's timeless story, enchanting music, and enduring appeal make it a beloved holiday tradition for piano players of all ages and tastes.

Babes in Toyland is an operetta composed by Victor Herbert and libretto by Glen MacDonough about a story of various Mother Goose nursery rhymes that intermingle. Following the extraordinary success of their stage musical The Wizard of Oz, produced in New York in 1903, the producers hoped to create more family musicals and persuaded Victor Herbert to write the music. It features some of Victor Herbert’s most famous songs and was made into a Disney film in 1961. Nathan’s arrangement…

"The Twelve Days of Christmas" is an English Christmas carol. It is a classic example of a cumulative song, with its lyrics detailing a series of increasingly numerous gifts given on each of the twelve days of Christmas, starting on Christmas Day). It was first published in England in the late 18th century, and a large number of different melodies have been associated with the song, of which the best known is derived from a 1909 arrangement of a traditional folk melody by English composer Frederic Austin. The order of gifts is: a partridge in a pear tree, two turtle doves, three three French hens, four calling birds, five golden rings, six geese a-laying, seven swans a-swimming, eight maids a-milking, nine ladies dancing, ten lords a-leaping, eleven pipers piping, and twelve drummers drumming. Nathan’s arrangement…

"We Three Kings" ("We Three Kings of Orient Are" or "The Quest of the Magi"), is a Christmas carol written in 1857 by the rector of Christ Episcopal Church in Williamsport, Pennsylvania, John Henry Hopkins, Jr. Hopkins wrote it for a Christmas pageant in New York City and became the first widely popular Christmas carol written in America. Hopkins organized the carol so three male voices would each sing a solo verse in order to correspond with the three kings, with the first and last verses of the carol sung together as “verses of praise" to the beauty of the Star of Bethlehem. Nathan’s arrangement.

"We Wish You a Merry Christmas" is a popular secular 16th-century English carol. Its origin stems from the English tradition where the wealthy in the community gave Christmas treats to the carolers on Christmas Eve, such as "figgy pudding.” It is one of the few traditional holiday carols that makes mention of the New Year celebration. The simple chorus and holiday greetings have made it a popular finale for many holiday specials. Nathan’s arrangement

Wexford Carol is a traditional Irish religious carol originating from Enniscorthy, County Wexford sings the story of the nativity of Jesus. it likely was composed in the 15th or 16th century based and achieved renewed popularity due to the work of William Grattan Flood (1859–1928), who was organist and musical director at St. Aidan's Cathedral in Enniscorthy. He transcribed the carol from a local singer and had it published in The Oxford Book of Carols. Nathan’s arrangement

"What Child Is This?" is a Christmas carol with lyrics by William Chatterton Dix in 1865, who was unexpectedly bedridden by a near-death illness and wrote several hymns (this one called "The Manger Throne" published in 1865), after being inspired by his spiritual renewal. It is set to the traditional English tune "Greensleeves." The questions posed in the lyrics reflect what the shepherds might have rhetorically wondered to themselves in the first verse, with the response coming in the second half after encountering Jesus, with the final verse being a universal appeal to everyone urged to accept Christ. The setting depicts the Adoration of the Shepherds who visit Christ at the Nativity. Nathan’s arrangement

"When You Wish Upon a Star" is a song written by composer Leigh Harline and lyricist Ned Washington for Walt Disney's second animated feature film, Pinocchio (1940). The original version was sung by Cliff Edwards in the character of Jiminy Cricket and heard over the opening and final credits of the film. It has since become the hallmark song of the Walt Disney Company. The American Film Institute ranked it No. 7 in their 100 Greatest Movie Songs. Nathan’s arrangement….

"White Christmas" is an Irving Berlin song that was the first of several classic American holiday songs that long for yesteryear. Written for the film musical Holiday Inn (1942), it won the Academy Award for Best Original Song at the 15th Academy Awards. Bing Crosby’s version was the world's best-selling single with an estimated 50 million copies worldwide. It was first performed on Christmas Day, 1941, a few weeks after the attack on Pearl Harbor. Nathan’s arrangement

"Winter Wonderland" is a 1934 song with music by Felix Bernard and lyrics by Richard Bernhard Smith. Smith was reportedly inspired by seeing Honesdale, Pennsylvania’s Central Park covered in snow and wrote the lyrics while being treated for tuberculosis. Its original version depicts a couple's romance in the winter season. A later 1947 version transforms a minister into a circus clown and a couple’s love into children frolicking in the snow. Singers like Johnny Mathis connected both versions and added an additional verse and chorus. Nathan’s arrangement