MOVIE MUSIC

"As Time Goes By" is the quintessential Hollywood song from the 1943 Best Picture, Casablanca. The famous line "Play it again, Sam" was a recurring and poignant love theme for the star-crossed characters portrayed by Humphrey Bogart and Ingrid Bergman. Nathan Kelly's arrangement is a captivating instrumental showpiece that serves as an excellent addition to any Hollywood Pops film music concert. With its lush strings, gentle woodwinds, and evocative brass, this orchestral arrangement of "As Time Goes By" captures the essence of the captivating movie Casablanca. It creates a rich and cinematic atmosphere, transporting listeners to the enchanting world of the film and evoking feelings of timeless romance and nostalgia. The arrangement beautifully showcases the emotional depth and melodic beauty of the song, providing a fresh perspective while paying homage to the original composition. With masterful orchestration and meticulous attention to detail, this rendition of "As Time Goes By" adds a new level of elegance and grandeur to this beloved classic.

"The Bad and the Beautiful" (1952) is a critically acclaimed film directed by Vincente Minnelli, featuring Lana Turner and Kirk Douglas, that explores the life of a film producer estranged from those around him. With an impressive five Academy Awards and induction into the Library of Congress, it has garnered both critical acclaim and cultural significance. The film's music, composed by David Raksin, has been praised by notable figures like Stephen Sondheim, who described it as possessing a "hypnotic dissonance" that proves to be elusive and addictive. Nathan Kelly's orchestral arrangement of "The Bad and the Beautiful" captures the essence of the film, evoking its complex emotions and dramatic moments. Through the skilled utilization of powerful brass, lush strings, and dynamic percussion, the arrangement creates a mesmerizing soundscape that transports listeners to the glamorous and tumultuous world of Hollywood. This orchestral rendition beautifully encapsulates the contrasting themes of darkness and beauty, strength and vulnerability, adding a new layer of depth and grandeur to the composition.

"I Will Wait for You" is the English version of "Je ne pourrai jamais vivre sans toi," a soul-stirring song from the French musical The Umbrellas of Cherbourg (1964). Composed by Michel Legrand with lyrics by Jacques Demy (English lyrics by Norman Gimbel), and performed by Catherine Deneuve (voice by Danielle Licari), it garnered a nomination for Best Song at the 38th annual Academy Awards in 1966. Nathan Kelly's orchestral arrangement beautifully brings to life the timeless beauty of the melody, with lush strings, gentle woodwinds, and evocative brass, as it gracefully intertwines with the poignant vocals. The arrangement skillfully captures the bittersweet emotions and heartfelt longing expressed in the original composition, creating a cinematic and enchanting atmosphere. From the tender opening notes to the soaring climaxes, this orchestral rendition of "I Will Wait for You" takes listeners on a musical journey filled with passion, nostalgia, and undeniable charm.

"Laura" is a hauntingly beautiful song from the 1944 film of the same name, starring Gene Tierney and Dana Andrews. Its captivating theme, composed by David Raksin, emerged when he was challenged by director Otto Preminger to create an alternative melody within a single weekend, coinciding with Raksin's own marriage turmoil. This emotionally charged composition soon became a jazz standard, with lyrics added by Johnny Mercer. Nathan Kelly's standalone arrangement flawlessly amplifies the captivating allure of the melody, whisking audiences away into an enigmatic and ethereal world that mirrors the essence of Laura herself. Skillfully blending delicate melodies and enchanting harmonies, it evokes a poignant mixture of longing, bittersweet melancholy, and elusive charm. Inviting listeners to delve into the depths of their emotions, it transcends the boundaries of time and space. This orchestral masterpiece pays homage to Laura's timeless legacy, leaving an indelible imprint that resonates with the human spirit. It stands as an enduring and enchanting cornerstone of film music, captivating our hearts and stirring our souls with its mesmerizing melodies and evocative orchestration.

"We'll just have the camera and you," Hitchcock told his long-time film composer Bernard Herrmann. The resulting five-minute sequence from Vertigo (1958) is one of cinema's most powerful evocations of romantic longing, featuring a paraphrase of Wagner's Liebestod from Tristan und Isolde. Nathan Kelly's arrangement of this thematic material transports listeners into a world of haunting beauty and intrigue, with delicate strings, tender woodwinds, and intense brass climaxes. It re-examines the complex emotions, evoking longing, desire, tenderness, and uncertainty. Paying homage to the timeless magic of the original film score, this arrangement infuses it with crystallized contemporary touches, adding grandeur and tenderness. It stands as a unique and evocative treatment of Herrmann's themes, leaving an indelible mark on the listener's heart and soul. Through its power, this arrangement serves as a testament to the enduring enchantment of film music, capturing our imagination and evoking profound emotions that resonate long after the final notes fade away.

"Moon River" is a song composed by Henry Mancini with lyrics by Johnny Mercer for the Audrey Hepburn film Breakfast at Tiffany's (1961). It won the Academy Award for Best Original Song as well as the 1962 Grammy Awards for Record of the Year and Song of the Year. The Paramount Pictures executive producer wanted to remove the song, until Hepburn declared “over my dead body” and the song remained. Nathan Kelly’s enchanting, new rendition weaves together lush strings, gentle woodwinds, and warm brass tones, providing a sublime backdrop for the soulful harmonica melodies. With its bittersweet nostalgia and serene tranquility, the harmonica takes center stage, evoking moonlit nights and meandering rivers. The seamless interplay between the harmonica and orchestra builds to breathtaking crescendos, enveloping listeners in a whirlwind of emotions. This arrangement pays homage to the enduring power of Henry Mancini's composition, inviting you on a journey of longing, hope, and the timeless allure of "Moon River." Prepare to be transported as the harmonica and orchestra unite, creating an unforgettable musical experience that touches the depths of the soul.

"Pure Imagination" is a timeless song from the 1971 film Willy Wonka & the Chocolate Factory, penned by British composers Leslie Bricusse and Anthony Newley specifically for the film's star, Gene Wilder. It was written over the course of a single day, during a phone conversation. Nathan Kelly's arrangement skillfully exploits the inherent floating quality of the composition, seamlessly transitioning into new key centers and exploring a range of captivating orchestrations. This stand-alone arrangement beautifully captures the essence of the iconic song, effortlessly transporting listeners to a world brimming with whimsy and wonder. It presents a sophisticated new interpretation that preserves the song's undeniable charm and nostalgic appeal, while tastefully infusing it with fresh musical soundscapes that gracefully shift between light and dark, bold and graceful. Discerning listeners will embark on a remarkable journey of boundless creativity, as the constraints of reality gradually fade away. Evoking cherished memories and igniting dreams of infinite possibilities, this arrangement unlocks new dimensions of soundscapes, allowing the extraordinary to become possible.

"Que Sera, Sera (Whatever Will Be, Will Be)" by Jay Livingston and Ray Evans is a timeless classic and Doris Day's signature song, famously featured in the Hitchcock film The Man Who Knew Too Much (1956). It received the 1956 Academy Award for Best Original Song and holds a place among AFI's 100 Greatest Film Songs. In this arrangement, the music unfolds like a vivid musical portrait, gracefully evolving alongside the stages of life. Orchestrated for vocalist and orchestra, this new rendition creates a vibrant tapestry of sound that dances with captivating energy. The lush strings and enchanting woodwinds contribute an ethereal beauty, while the vibrant brass infuses the arrangement with moments of brilliance and emotional intensity. Nathan Kelly breathes new life into this enduring waltz, showcasing a brilliant fusion of innovative instrumentation and imaginative musical textures. The arrangement invites listeners to surrender themselves to its captivating embrace, as it takes them on a powerful and emotive journey of nostalgia, hope, and the universal contemplation of destiny.

"Singing in the Rain" is a timeless romantic comedy directed and choreographed by Gene Kelly and Stanley Donen, starring Gene Kelly, Donald O'Connor, and Debbie Reynolds. It portrays the charm and challenges faced by performers during the transition from silent films to "talkies" and is widely acclaimed as one of the greatest musicals and films ever made. Nathan Kelly revitalizes the iconic song with a fresh treatment for a full symphony orchestra. This orchestral arrangement takes listeners on a vibrant musical journey through rain-soaked streets and joyous dance numbers. The rich tapestry of sounds includes lush strings that provide a solid foundation, enveloping the listener in a warm embrace. Spirited woodwinds and sparkling brass sections add exuberance and playfulness, creating layers of depth and excitement. The orchestra's "old Hollywood" sound conjures a delightful and immersive atmosphere, transporting audiences to the golden age of Hollywood musicals. It is a celebration of nostalgia, optimism, and the timeless joy of music, inviting listeners to tap their feet, sing along, and be swept away in a symphonic storm of pure happiness.

"Somewhere, My Love" (or "Lara's Theme") from the film Doctor Zhivago (1965) was composed by Maurice Jarre, inspired by the director's unsuccessful attempt to secure the rights to a Russian song. Nathan Kelly’s new arrangement opens with delicate strings, transporting listeners to the vast Russian landscape, evoking a poignant sense of longing and melancholy. The music unfolds with increasing intensity, imbuing the orchestration with passion and tenderness, painting a vivid musical portrait of love and yearning. Enchanting woodwinds and soaring brass strings add depth and warmth, enhancing the emotional impact of the composition. Each harmonious swell and heartfelt note carries audiences on an enthralling journey, immersing them in the timeless beauty of the melody. This rendition serves as a poignant reminder of nostalgia, capturing the essence of romance and reflecting the transformative power of love amidst a turbulent world. The classic melody resonates deep within the soul, inviting profound emotions and guiding listeners on a transformative journey of introspection and exploration.

"Over the Rainbow" is a ballad written by Harold Arlen and Yip Harburg for the 1939 film The Wizard of Oz. Sung by Judy Garland, it became her signature song and won an Academy Award. The song captures the yearning of a troubled girl in Kansas who dreams of escaping to a colorful world. Nathan Kelly's arrangement explores the classic melody in various keys, incorporating complex harmonies and vibrant textures. The orchestral rendition paints a lush and elegant picture, worthy of its recognition as the #1 movie song of all time by the American Film Institute. Opening with a gentle and enchanting introduction, the orchestra creates a dreamlike atmosphere that invites listeners on a magical journey. The lush strings evoke hope and wonder, while the arrangement gradually builds with grandeur and emotion, capturing the essence of the original song and evoking optimism, joy, and the timeless beauty of dreams. Each note paints a vivid musical picture, transporting listeners to a world where dreams come true. It is a heartfelt and uplifting musical experience that resonates with audiences, serving as a reminder of the power of imagination and the pursuit of a brighter tomorrow.

The orchestral arrangement of "Suite of Songs and Themes from 'Some Like It Hot'" brings the iconic music of the acclaimed 1959 film to life. Arranged by Nathan Kelly, this suite highlights the memorable songs and themes synonymous with the movie's timeless charm and comedic genius. Opening with a lively and upbeat introduction, it seamlessly weaves together the film's songs and themes, creating an engaging and immersive musical journey. From the energetic "Runnin' Wild" to the captivating "I Wanna Be Loved by You," each song is rejuvenated through rich and vibrant orchestration, showcasing the orchestra's versatility across various musical styles. As the suite unfolds, listeners are transported back to the golden era of Hollywood, immersing themselves in the glamour, wit, and nostalgia of "Some Like It Hot." The suite captures the essence of the film's comedic brilliance, evoking joy, laughter, and a lighthearted atmosphere. It serves as a delightful tribute to this cinematic masterpiece, celebrating its enduring legacy and inviting audiences to relive the magic of this beloved classic.

"Tara's Theme" serves as the opening and end title music of the renowned 1939 epic historical romance film Gone With the Wind. Produced by David O. Selznick and directed by Victor Fleming and George Cukor, the film is an adaptation of Margaret Mitchell's 1936 novel of the same name. Nathan Kelly's sophisticated arrangement of "Tara's Theme" masterfully showcases the enduring beauty of the iconic melody, drawing inspiration from the grandeur of the antebellum South. With a mesmerizing blend of lush strings, enchanting woodwinds, and majestic brass, Kelly's rendition captivates listeners, resonating with emotional depth. With lush strings, enchanting woodwinds, and majestic brass, the arrangement resonates with profound emotional depth. As listeners embark on its captivating musical journey, they are transported to a world brimming with longing, nostalgia, and romance. In doing so, it pays homage to the enduring legacy of the film's iconic score, immersing audiences in its timeless allure.

""That's Entertainment!" is a popular song composed by Arthur Schwartz with lyrics by Howard Dietz for the 1953 film The Band Wagon. It has since become a signature tune for MGM and an anthem for Hollywood. Nathan Kelly's arrangement showcases the dynamic musicality of the beloved melody, opening with energy and excitement. Arranged by Nathan Kelly, this rendition showcases the rich orchestral textures and dynamic musicality that elevate the beloved melody to new heights. It opens with a burst of energy and excitement, instantly captivating listeners and drawing them into a world of entertainment. The lush strings, vibrant brass sections, and expressive woodwinds create a symphony of sound that envelops the audience, evoking a sense of joy and celebration. As the music unfolds, the orchestra takes the listeners on a journey through the golden era of Hollywood, paying homage to the classic films and memorable performances that have become ingrained in our cultural consciousness. It is a vibrant tribute to the power of music and its ability to evoke emotions, ignite memories, and remind us of the timeless beauty of cinema and their enduring impact.

The orchestral arrangement of the "Love Theme from Romeo and Juliet" captivates listeners with its timeless beauty and emotional depth. This rendition brings to life the iconic love theme composed by Nino Rota for Franco Zeffirelli's 1968 film adaptation of Shakespeare's tragic tale. Opening with delicate and tender strings, the arrangement creates an atmosphere of romance and longing. Sweeping strings evoke yearning and desire, while gentle woodwind melodies add a touch of melancholy and vulnerability. With each crescendo and pause, the arrangement captures the characters' intense emotions, forbidden love, and tragic fate. The orchestration builds in intensity, expressing the highs and lows of their relationship and culminating in a powerful climax that showcases the orchestra's range and depth. Transporting listeners to the streets of Verona, the arrangement immerses them in the timeless themes of love, passion, and sacrifice. It serves as a poignant reminder of the enduring power of love and its tragic consequences. By capturing the essence of Shakespeare's timeless tale, it invites listeners to experience the profound emotions and beauty of one of literature's greatest love stories.

"The Trolley Song" is a joyful and infectious composition by Hugh Martin and Ralph Blane, famously performed by Judy Garland in the film Meet Me in St. Louis (1944). This arrangement beautifully captures the song's exuberant energy. Opening with a vibrant introduction, the orchestra sets the stage for a lively journey through the bustling streets of St. Louis. The arrangement seamlessly weaves together the iconic melody and spirited lyrics, creating a captivating musical experience. Lush strings, lively brass sections, and rhythmic percussion add depth and color, enhancing the song's infectious rhythm. The orchestra's versatility shines as it navigates the varying tempos and intricacies of the arrangement. Building in intensity, the music reflects the characters' enthusiasm and anticipation. Sweeping crescendos and cascading harmonies create a sense of exhilaration, mirroring the excitement of riding the trolley. It celebrates the nostalgia and spirit of the film in a delightful tribute, inviting audiences to join in and sing along to one of the most famous movie songs of all time.

"The Way We Were" is a beloved song written by Alan and Marilyn Bergman, with music composed by Marvin Hamlisch. It gained acclaim for its portrayal of the relationship between the main characters in the 1973 film of the same name, and it received two Academy Awards. This standalone orchestral arrangement revives the cherished melody, showcasing the expressive power of the orchestra. With a delicate and tender introduction, the arrangement immediately evokes nostalgia and stirs emotions. The lush strings, wistful woodwinds, and orchestral soloists create a warm and vivid musical portrait that captures the bittersweet essence of the lyrics. Throughout the piece, the orchestra effortlessly transitions between gentle and sweeping passages, demonstrating its dynamic range. The arrangement skillfully highlights the timeless beauty of the melody, allowing it to soar and resonate with listeners. Striking a delicate balance between melancholy and hope, it encapsulates the complexities of love and nostalgia. The music reaches climactic moments, enveloping the audience in a powerful and heartfelt experience. It invites listeners to revisit cherished memories, contemplate the passage of time, and embrace the profound beauty of love and reminiscence.

"When You Wish Upon a Star" is a song written by composer Leigh Harline and lyricist Ned Washington for Walt Disney's second animated feature film, Pinocchio (1940). The original version was sung by Cliff Edwards in the character of Jiminy Cricket and heard over the opening and final credits of the film and has become the hallmark song of the Walt Disney Company. The American Film Institute ranked it No. 7 in their 100 Greatest Movie Songs. This stand-alone orchestral arrangement breathes new life into the iconic melody, capturing the magic and wonder of the orchestra. With a gentle and ethereal introduction, the arrangement creates a dreamlike atmosphere, invoking the essence of wishful thinking. The orchestra masterfully weaves together the melody and harmonies, enchanting listeners with its richness and depth. From tender moments to triumphant climaxes, the arrangement showcases the orchestra's versatility and emotional range. It captures the universal appeal of the song, touching the hearts of all ages. This stand-alone orchestral arrangement of "When You Wish Upon a Star" is a musical voyage where dreams come true and imagination knows no bounds. It serves as a reminder of the power of hope and the beauty of pursuing our deepest aspirations.